L'insegnamento prevede 2.0 CFU erogati con Didattica Innovativa come segue:
Cotutela con mondo esterno
Corso di Studi
Codice Piano di Studio preventivamente approvato
Arc - Urb - Cost (Mag.)(ord. 270) - MI (1017) ARCHITETTURA - ARCHITETTURA DELLE COSTRUZIONI
054718 - ARCHITECTURAL DESIGN STUDIO FOR COMPLEX CONSTRUCTIONS 1
The Studio is an 'international field' of theoretical research and advanced experimentation.
The reality, everywhere, asks architecture a thorough cultural and ethical responsibility. Therefore the teaching aims to consolidate disciplinary knowledge and theoretical references, to feed critical attitudes, to induce conscious design choices. These tools allow to tackle the design of complex new buildings, with awareness of its formal, functional, structural, technological components.
The complexity of the design processes is faced and managed through the interconnection between the teachings of Architectural design, Architectural composition, Structure, Technology and design in BIM environment. The trans-disciplinary approach nourishes rationality and imagination and the possibility of recomposing form, function and construction in unitary visions, bearers of new reasons and meanings.
Risultati di apprendimento attesi
Lectures, project reviews, workshops, study trips, exhibitions and seminars will allow students to acquire the knowledge and skills appropriate to the start and the development of the first year of master's degree:
-the attitude to consider architecture as a form of knowledge, as critical thinking, as a tool for understanding reality in the perspective of its virtuous and ethical transformation;
-the ability to know and interpret the physical and social complex contexts with the awareness of the transformation that a new architectural intervention will produce;
-the ability to learn and elaborate the multidisciplinary skills of the compositional and structuralcomponentsbesides the Bimprocess and parametric models;
the ability to face the design process of a complex architecture from the conceptualization to the development of all typological, functional, structural and technological aspects;
-the individual capacity of making judgments using multiple criteria in the evaluation of design decisions providing a range of benefits, social values and sustainable costs;
-the ability of communication using the most effective verbal and means of representation in the argument of ideas and design choices in all areas of confrontation and discussion.
In considering the whole of conceptual objectives, compositional choices, construction techniques and forms of representation that constitute that complex system that is the architectural project, it is the strategic choice of the Laboratory to assign to the tool of the section the topical role of generator of the design process.
The section, to be understood simultaneously as an analytic and as well as a projective tool, will be assumed at a dual scale.
At urban scale the section is considered as the privileged instrument for the definition of the form to be assumed by the resolution of the complex relation between the architectural object and the urban context. The section will be the locus of the spatial, structural and programmatic articulation of the fundamental and complex moment of the contact between the building and the ground within the specific morphological and functional conditions of the site.
Alternatively, at the scale of the architectural object, and by means of the analysis of “habitable objects” of different nature and size, the section offers the opportunity for an accurate study directed toward the definition of spatial organizations, structural typologies and syntactic systems able to articulate in a non-banal and passive way the relation between the interior inhabited space and the external environmental context.
In this dual form the tool of the section becomes the moment of determination of the intentional and complex dialectic relation between the designed object and the anthropic environment in which it is inserted, offering at the same time the opportunity of a trans-disciplinary relation between the different agencies converging in the design process.
The Laboratory proposes to the students, organized in group of 2 or 3 individuals, a design experience within areas in Milan affected by the contemporary processes of urban transformation and directed toward the speculation on specific forms of contemporary living.
Laurea (equivalent to Bachelor of Science) in the classes provided for the admission to the MSc.
Modalità di valutazione
Student activities will be carried out in groups of 2-3 people. The Laboratorio requires continuity in the production of design materials which will be review weekly in the classroom and also via Skype or other digital communication platforms by the Visiting Professor. The work of the design teams will be verify in three phases, marked by intermediate presentations. Each phase corresponds to specific training activities and project advancements and will end with a presentation of the works to the committee formed by all the teachers of the Studio. The professors, together will discuss about the projects, giving students shared suggestions and intermediate evaluations, based on the coherence between pre-established goals and the levels of acquired cultural awareness.
The final exam will be a significant moment of critical argumentation and constructive discussion of the project design, where each student will have to demonstrate:
- ability in the cognitive and interpretative procedures of spatial and cultural contexts.
- in-depth disciplinary knowledge of theories and techniques of complex constructions.
- ability to apply integrated structural, constructive solutions to the expressive and formal choices of architecture.
- methodological coherence throughout the design process, from the conception to its technical and formal development.
- modelling capacity in BIM environment
- ability to argue and critically expose the project through the most effective drawings and models.
Max Risselada, Raumplan versus Plan Libre: Adolf Loos and Le Corbusier 1919-1930, Editore: Rizzoli International, Anno edizione: 1993 https://pdfs.semanticscholar.org/2b13/9ba11b147ba416b26e2bc108127c2f6b02dc.pdfPeter Eisenman, The Formal Bases of Modern Architecture, Editore: Lars Muller Publishers, Anno edizione: 2006
Paul Lewis, Mark Tsurumaki, David J. Lewis, Manual of Section, Editore: Princeton Architectural Press, Anno edizione: 2016
Kenneth Frampton, Studies in Tectonic Culture: The Poetic of Construction in XIX and XX Century Architecture, Editore: MIT Press, Anno edizione: 1995
Pier Luigi Nervi, Aesthetic and Technology in Building: The Twenty-First-Century Edition , Editore: Univiversity of Illinois Press, Anno edizione: 2018 https://www.scribd.com/doc/79659463/Aesthetics-and-Technology-in-Building-Pier-Luigi-NerviAugust Choisy, L'art de bâtir chez les Romains , Editore: Ducher et C.ie Editours, Anno edizione: 1873 http://www.augustechoisy2009.net/fr/documentos.php?id_nav=5August Choisy, L'art de bâtir chez les Byzantines, Editore: Librairie de la Société Anonyme de Publications Periodiques, Anno edizione: 1883 http://www.augustechoisy2009.net/fr/documentos.php?id_nav=5Kenneth Frampton, Modern Architecture: A Critical History, Editore: Thames & Hudson, Anno edizione: 2017
Florencia Andreola, Marco Biraghi, Gabriella Lo Ricco, Milan Architecture Guida 1945-2015 , Editore: Hoepli, Anno edizione: 2015
Tipo Forma Didattica
Ore di attività svolte in aula
Ore di studio autonome
Laboratorio Di Progetto
Informazioni in lingua inglese a supporto dell'internazionalizzazione
Insegnamento erogato in lingua
Disponibilità di materiale didattico/slides in lingua inglese
Disponibilità di libri di testo/bibliografia in lingua inglese
Possibilità di sostenere l'esame in lingua inglese
Disponibilità di supporto didattico in lingua inglese